Follow Kellow

Reading the Arts

Page 2 of 7

Conversations with Elizabeth Wilson – Part I

The other day, I wasn’t at my best and I began thinking about what could happen in that moment that would make me feel better. The first thing that sprang to mind was a good sit‐down chat with Liz. By Liz, I mean the gifted actress Elizabeth Wilson, who was a close friend of both […]

Read More...

Screen and Screen Again: Joan Bennett in Scarlet Street

Two nights ago, feeling the need of a reassuringly familiar movie, I watched something I’ve seen more times than I could possibly guess: Fritz Lang’s provocative 1945 film noir, Scarlet Street. I first came across it when I was a freshman in college, and I found it simultaneously shocking, in a peculiar way, and amusing, […]

Read More...

A Memoir to Remember: Christopher Buckley’s Losing Mum and Pup

The act of grieving our parents is anything but orderly and predictable. It is not something that lays itself out in neat first, second and third acts, like a bad made‐for‐television movie. And why should it? We have a lifetime of wide‐ranging experiences with our parents; there is as much to go on celebrating as […]

Read More...

I Love Lucy

“I want to see what was there for me once, then what is there for me now,” playwright Lillian Hellman famously wrote in her 1973 memoir, Pentimento. Often, however, many of us don’t want to revisit indelible memories. Perhaps we’re afraid that if we keep examining them, they won’t ultimately measure up to the place […]

Read More...

Wexford Songfest at St. Iberius

My favorite recital venue, anywhere in the world, is St. Iberius Church on Main Street in Wexford, Ireland. Built in the eighteenth century and famed for is flawless acoustics, St. Iberius puts the singer and pianist practically in the lap of the audience. We sit there, rejoicing in the complete absence of any emotional distance […]

Read More...

Wexford Songfest at St. Iberius

My favorite recital venue, anywhere in the world, is St. Iberius Church on Main Street in Wexford, Ireland. Built in the eighteenth century and famed for is flawless acoustics, St. Iberius puts the singer and pianist practically in the lap of the audience. We sit there, rejoicing in the complete absence of any emotional distance […]

Read More...

No Small Parts: Mary Beth Nelson Knows How to Make Each Moment Onstage Count

Mary Beth Nelson is a gifted young mezzo‐soprano who is a member of Florida Grand Opera’s 2017–18 Studio Artist program. On Saturday, November 11, 2017, she opened in Miami at the Adrienne Arsht Center for the Performing Arts’ ZIff Ballet Opera House, in the small but key role of Alisa, the anxious confidante of the […]

Read More...

Showtime in Wexford

I first visited Wexford Festival Opera, on the southeast coast of Ireland, in 1992. It has been running since 1951, when it was founded by Dr. Tom Walsh, with a mission to present operas that have been out of the running in the repertoire. Among the memorable discoveries I have made over the years in […]

Read More...

Sins of the Brother: Troy Cook Sings Enrico in Florida Grand Opera’s Lucia di Lammermoor

Troy Cook has garnered an admirable reputation as an elegant, extremely musical lyric baritone on the international scene. On November 12, 2017, he opens as Enrico, the volatile brother in Florida Grand Opera’s season‐opening production of Donizetti’s Lucia di Lammermoor, conducted by Alexander Polianichko and directed by Elise Sandell. Recently, Cook sat down for a […]

Read More...

Voyage of Discovery: An Interview with Soprano Anne‐Sophie Duprels

The most revelatory individual performance at the 2017 season of Wexford Festival Opera was that of French soprano Anne‐Sophie Duprels, as Katiusha, the tragic heroine of Franco Alfano’s Risurrezione, a long‐neglected verismo gem, based on Leo Tolstoy’s novel Resurrection. My full review of the Wexford season will appear in one of the winter issues of […]

Read More...
« Older posts Newer posts »

© 2018 Follow Kellow

Theme by Anders NorenUp ↑